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The Architect Who Designed the Denver Art Museum Completed 1971 14th Ave Parkway Is

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Art museum in Denver, Colorado

Denver Art Museum
Denver Art Museum text logo green horiz.jpg
Denver art museum night archipreneur adam crain.jpg

Frederic C. Hamilton building at DAM
Location 100 W 14th Avenue Pkwy
Denver, Colorado
Coordinates 39°44′14″N 104°59′23″W  /  39.73722°Northward 104.98972°W  / 39.73722; -104.98972 Coordinates: 39°44′14″N 104°59′23″Westward  /  39.73722°Due north 104.98972°W  / 39.73722; -104.98972
Type Art museum
Website denverartmuseum.org

The Martin Building at DAM — designed past Gio Ponti in 1971.

The Denver Art Museum (DAM) is an art museum located in the Civic Center of Denver, Colorado. With encyclopedic collections of more than 70,000 diverse works from across the centuries and globe, the DAM is one of the largest art museums betwixt the West Declension and Chicago.[one] Information technology is known for its collection of American Indian art, as well as The Petrie Found of Western American Art, which oversees the Museum's Western art drove.[2] and its other collections of more than 70,000 various works from across the centuries and earth.[one] The Museum'due south iconic Martin Building (formerly known as the N Building) was designed by famed Italian architect Gio Ponti in 1971.[3]

In 2018, the Museum began a transformational $150 one thousand thousand renovation project to unify the campus and revitalize Ponti's original construction, including the creation of new exhibition spaces, two new dining options, and a new welcome center.[iv]

History [edit]

1893–1923 [edit]

The museum's origins tin can be traced dorsum to the founding of the Denver Artists Club in 1893.[v] The Club renamed itself the Denver Art Association in 1917 and opened its first galleries in the City and County edifice 2 years later. The museum opened galleries in the Chappell Firm in 1922. The house, located on Logan Street, was donated to the museum by Mrs. George Cranmer and Delos Chappell. In 1923, the Denver Art Association became the Denver Art Museum (DAM).[5]

1948–1971 [edit]

In 1948, the DAM purchased a building on Acoma and 14th Avenue on the south side of Borough Center Park.[5] Denver builder Burnham Hoyt renovated the building, which opened as the Schleier Memorial Gallery in 1949. While the Schleier Gallery was a significant addition, the DAM still sought to increase its space. Additional pressure came from the Kress Foundation, who offered to donate three collections valued at over $two million on the condition that DAM construct a new building to business firm the works.[v] DAM sought help from the city and county of Denver to heighten funds. However, in 1952 voters failed to approve a resolution bond. Despite this setback, the museum continued to enhance funds and somewhen opened a new building, the S Wing (now known as the Bach Wing[vi]), in 1954. This made it possible for DAM to receive the three Kress Foundation collections.

The North Building, a seven-story 210,000-square-foot addition, opened in 1971.[vii] The edifice was designed by Italian modernist architect Gio Ponti, with local architects James Sudler Associates of Denver. Ponti said, "Art is a treasure, and these thin but jealous walls defend it."[8] It is his only completed design built in the United States.[7] Ponti designed the DAM building to break from the traditional museum archetypes. The two-towered "castle-like" façade has 24 sides, and more than one one thousand thousand reflective glass tiles, designed past Dow Corning, cover the building'due south exterior.[7]

2006–Present [edit]

The Duncan Pavilion and the Frederic C. Hamilton Edifice were both added to the museum in 2006. The Duncan Pavilion, a 5,700-square-human foot second story addition to the Bach Wing, was created to adapt the bridge traffic from the new Hamilton Building and the existing N Building (1971). Duncan Pavilion was designed to be child- and family unit-friendly while besides suitable for multi-use, including the museum's Untitled Final Friday serial also equally nuptials receptions and other events.

In December 2016, the Denver Fine art Museum announced a transformational $150 million projection to unify the Museum's campus and revitalize Ponti's building (now chosen the Martin Building), including the creation of new gallery spaces, two new dining options and the new Sie Welcome Eye.[9] With compages and design led by Machado Silvetti and Denver-based Fentress Architects, the renovation project is slated for completion in 2022 in time for the 50th anniversary of Ponti'due south original building.[10] The Duncan Pavilion was demolished in 2019.

Hamilton Building [edit]

The Frederic C. Hamilton Edifice houses the Museum's Modern and Contemporary Fine art, African Art and Oceanic Art collections, along with part of the Western American art collection and special exhibition spaces.[11] Designed as a joint venture by Studio Daniel Libeskind and Denver firm Davis Partnership Architects (architect of record), the glass and titanium- clad building opened on Oct 7, 2006. Recognized by the American Institute of Architects as a successful Building Information Modeling project, the Hamilton Edifice is Libeskind's first completed building in the Us.[12] Recognized for its bold design, the iconic, four story, 146,000 square human foot, the Hamilton building serves as the main archway to the rest of the museum complex.[thirteen] This project doubled the size of the museum, allowing for an expansion of the fine art on view.

The angular blueprint of the Hamilton building juts in many directions, supported by a 2,740-ton construction that contains more than than 3,100 pieces of steel. One of the angled elements extends 167 feet over and 100 feet to a higher place the street beneath. None of the 20 planes is parallel or perpendicular to another.[xiv]

Similar to the many-peaked roof of the Denver International Drome, the Hamilton Edifice emulates the sharp angles of the nearby Rocky Mountains, as well every bit the geometric crystals found at the mountains' base of operations about Denver. Architect Daniel Libeskind said, "I was inspired by the light and geology of the Rockies, but most of all past the wide-open faces of the people of Denver."[7]

Context

Regarding the design concept, Libeskind commented, "The project is not designed equally a standalone building merely as part of a composition of public spaces, monuments and gateways in this developing part of the urban center, contributing to the synergy amongst neighbors large and intimate."[15]

Libeskind designed a landscaped pedestrian plaza for the DAM complex.[16] Sculptures on display include 'Scottish Angus Cow and Calf' by Dan Ostermiller, 'Big Sweep' by Coosje van Bruggen and Claes Oldenburg, and 'Denver Monoliths' by Beverly Pepper.[17]

Awards

Due to the distinct configuration of the steel to produce the building, the Hamilton Building expansion of the DAM received a Presidential Award of Excellence from the American Found of Steel Construction—AISC's 2007 Innovative Blueprint in Engineering and Compages with Structural Steel (IDEASii) Awards competition.[18]

Architectural reviews

The pattern of the Hamilton extension of DAM has received mixed reviews. Christopher Hawthorne, architecture critic for the Los Angeles Times, said the architectural achievement of the edifice does not mean information technology works well equally a museum. He called the Hamilton Building "a stunning piece of architectural sculpture," just "a pretty terrible identify for showing and looking at art." "Museum architecture does not always blend cohesively with a great architectural accomplishment."[19]

Lewis Precipitous (DAM director, 1989–2009) said one of the most thrilling things well-nigh the Hamilton Building is that visitors tin can see the artworks in a new surround, every bit there are at least twenty different ways to display and hang artists' piece of work in the sloping and angular galleries. "I call back yous often see things that y'all had never seen before," Sharp said. "It simply raises all types of potentially new means to appoint a company."[19]

Some visitors and Denver residents appreciate the pattern, such as the Andreesons, who said, "We're in normal looking buildings every single day. It's just kind of an experience to walk into a room that doesn't look like rooms that nosotros would normally be in."[19] Sharp said that was exactly what the museum was looking for in their expansion. He said the museum'southward board was seeking the opportunity to draw people to the city.

Martin Building [edit]

On January 10, 2018, the Denver Fine art Museum broke ground on a comprehensive renovation of its iconic North Building—the but completed structure in Due north America designed by renowned Italian architect Gio Ponti.[20] One of the commencement-ever loftier ascent art museums, the Due north Building was renamed in 2022 in laurels of Lanny and Sharon Martin, who made the lead gift of $25 million to revitalize the building equally role of the Museum'due south ongoing campus transformation project.[21] Additionally, the Elevate Denver Bond Program contributed $35.5 1000000 in funding to DAM's projection.[22]

The renovation includes updates to all seven floors of galleries, the creation of new learning and engagement spaces, every bit well as a new eating house, buffet, and the Sie Welcome Center. The design includes skylights, which reveal new aspects of his pattern, and outside site improvements such as lighting equally well as revitalizing the glass tiles on the façade of the building.[23] Machado Silvetti and Denver-based Fentress Architects are the design teams backside the $150 million projection slated for reopening timed to the building'southward 50th anniversary in 2021.[24]

When Ponti'due south original structure was built in 1971, it was designed to accommodate 100,000 visitors per year. In 2017, the Museum estimated an average omnipresence of 850,000 visitors annually.[24] To accommodate growing audiences, the Museum's renovation projection will add more than 72,000 square anxiety (6,689 m2) of new and refurbished gallery and visitor spaces, in improver to the implementation of crucial safety and infrastructure upgrades.[25]

Sie Welcome Centre [edit]

As part of the Denver Art Museum'south major transformation project, the new Sie Welcome Eye was synthetic to create a new visitor-friendly entrance to the Martin Edifice and as a connector to the Hamilton Edifice. Named in honor of Anna and John J. Sie who pledged $12 million in support of the project, the round, glass-clad structure designed by Machado Silvetti and Fentress Architects will serve every bit the Martin Building'south new visitor entrance and ticketing center.[26]

When the Sie Welcome Center opens, information technology will be home to The Ponti, a restaurant focused on local ingredients led past James Beard Award-winning chef Jennifer Jasinski, likewise as a more than coincidental cafe for lighter fare.[27] On the second floor of the Sie Welcome Eye is the Sturm Grand Pavilion, one of downtown Denver'south largest and most distinctive special result spaces. Over 10,000 foursquare feet, the pavilion'due south curved, glass panels offer a unique view of the city.[28]

On the 2d floor of the Sie Welcome Center is the Sturm One thousand Pavilion, one of downtown Denver'due south largest and most distinctive special event spaces. Over 10,000 square feet, the pavilion'south curved, drinking glass panels offering a unique view of the city.[29]

Bonfils-Stanton Foundation Galleries

As part of the Martin Building renovation, the new Bonfils-Stanton Foundation Galleries will nowadays 7,000 square feet (650 m2) of new gallery space for the Museum'southward permanent collection. Reclaiming foursquare footage previously used for art storage, this completely renovated space on level one of the Martin Building will be dedicated to temporary exhibitions pulled from the museum'southward extensive global art collections.[30]

New Design Galleries

Equally part of the renovation of the Museum's Martin Building (formerly known equally the North Edifice), Machado Silvetti and Fentress Architects horizontally bisected the Martin Building'south original Bonfils-Stanton Gallery on level one to create 10,000 square feet (929 m2) of new gallery infinite on the second level within the original footprint of the building: the Joanne Posner-Mayer Mezzanine Gallery, the Amanda J. Precourt Design Galleries, and the Ellen Bruss Design Studio.[31] To realize the interior blueprint of these new exhibition spaces, the Museum partnered with New York-based blueprint house OMA, who collaborated with the Museum previously for the 2022 blockbuster exhibition Dior: From Paris to the Globe.[32]

Duncan Pavilion [edit]

The Duncan Pavilion was a second story addition to the Bach Wing of the Denver Art Museum and opened in Feb 2006. The pavilion was demolished in 2017, and the site is at present the location of the Sie Welcome Center, part of the Museum's transformational renovation projection. The Duncan Pavilion served as a link between the Daniel Libeskind-designed Hamilton Building and the 1971 Gio Ponti-designed North Building. The project'due south intent included preserving the integrity of the oldest part of the museum, the Bach Wing congenital in 1954, while providing a significant mechanical upgrade for it.

The Duncan Pavilion's open assembly area received the pedestrian bridge from the Hamilton Building with a pedestrian lift and glass staircase linking pedestrian traffic to the Signature Gallery on the outset flooring. An upgraded extension of the existing freight lift created the concluding link in the system facilitating artwork traffic between buildings so that artwork could be received and serviced in the Hamilton Building and transported to and from the Ponti edifice'southward galleries without exiting the protective environs of the museum.

Collections [edit]

The Denver Art Museum has nine curatorial departments: African Art; Architecture and Design; Fine art of the Ancient Americas; Asian Fine art; Mod and Gimmicky; Native Arts (African, American Indian and Oceanic); New World (pre-Columbian and Spanish Colonial); Painting and Sculpture (European and American); Photography; Western Art; and Fabric Art and Manner.[33] [34]

Architecture & Pattern [edit]

The Denver Art Museum's Architecture, Design and Graphics department was founded in 1990 past quondam managing director Lewis I. Precipitous. The drove has concentrations in areas including Italian design from the 1960s and 1970s, American graphic design from the 1950s to the present twenty-four hours, mail-World War Ii furniture and product pattern in America and western Europe and gimmicky western European and Japanese design.[35]

Asian Art [edit]

The museum'due south Asian art drove includes galleries devoted to the arts of Bharat, Red china, Japan and Southwestern Asia, as well every bit works from Tibet, Nepal and Southeast Asia. The drove, which originated in 1915 with a donation of Chinese and Japanese art objects, spans a menstruation from the fourth millennium B.C. to the present.[36]

European & American Art Before 1900 [edit]

The Denver Fine art Museum began receiving significant examples of European from the 1930s with Horace Havemyer'southward donations of works by Corot, Courbet, and Millet and seven others. From 1932 onwards, funds from the Helen Dill Heritance enabled the museum to acquire works Claude Monet, Camille Pissarro, Alfred Sisley, Pierre-Auguste Renoir as well as paintings by American artists Thomas Hart Benton, Winslow Homer, John Twachtman, and William Merritt Chase. The Dill bequest comprised thirty-seven works purchased for a sum of $65,650 by 1961.[37]

Artists represented include Claude Monet (Waterlilies), Camille Pissarro (Autumn, Poplars, Éragny), Winslow Homer (2 Figures by the Sea), Gustave Courbet (Valley of the Black Puddle), Lucien Lévy-Dhurmer (The Dolomites), Edgar Degas (Examen de Danse), Giovanni Benedetto Castiglione (Deucalion and Pyrrha), Giuseppe Arcimboldo (Summer) and Thomas Cole (Dream of Arcadia).[38]

Marguerite of Valois, Queen of Navarre by Nicholas Hilliard, Berger Collection

The Berger Drove

The Berger Drove is a major individual drove largely of British art that includes approximately 200 works and spans more six centuries. Renaissance portraits, including works by Hans Holbein the Younger, are a strength of the drove. Other artists represented include Nicholas Hilliard, Thomas Gainsborough, Angelica Kauffman, Benjamin West, Edward Lear and David Hockney.[39]

The Hamilton Collection [edit]

Frederic C. Hamilton bequeathed 22 Impressionist works from his private collection to the museum in 2014, including Vincent van Gogh'due south Edge of a Wheat Field With Poppies, fours works by Claude Monet, three paintings by Eugène Boudin and works past Paul Cézanne, Edouard Manet, Berthe Morisot, Camille Pissarro, Auguste Renoir, Alfred Sisley, William Merritt Chase and Childe Hassam.[40] [41]

Indigenous Arts of North America [edit]

Works by contemporary artists such equally Jeffrey Gibson, Kent Monkman, D.Y. Begay, Rose B. Simpson, Fritz Scholder, T.C. Cannon, Jaune Quick-to-See Smith, James Luna, Marie Watt, Nicholas Galanin, Virgil Ortiz, Roxanne Swentzell, Nora Naranjo Morse, Julie Buffalohead, Wendy Red Star, Cannupa Hanska Luger, Edgar Heap of Birds, Rick Bartow, Cara Romero, Shan Goshorn, Diego Romero (artist), Harry Fonseca, Kay WalkingStick, Melanie Yazzie, David Bradley (Native American creative person), Truman Lowe, Norval Morrisseau, Allan Houser, Will Wilson (photographer), Jim Denomie, Dyani White Hawk, Jamie Okuma, James Lavadour, Gail Tremblay, Preston Singletary, Bently Spang, Richard Zane Smith, and Dan Namingha are included in the collection.[42] [43] [44]

Modern and Contemporary Art [edit]

DAM's Mod and Contemporary Fine art drove includes works by artists including Pablo Picasso, Marcel Duchamp, Henri Matisse and Georgia O'Keeffe, as well as 33 paintings, drawings and collages by the acclaimed abstract expressionist Robert Motherwell. The drove likewise holds representative works from the major post-war art movements, including abstract expressionism, minimalism, pop art, conceptual art and contemporary realism. The department includes the Herbert Bayer Drove and Annal, containing more than 8000 objects.

Herbert Bayer Collection and Archive

The Herbert Bayer Collection and Archive contains over viii,000 works, along with extensive documentary material. This internationally of import repository is dedicated to the legacy of the Austrian-born Bauhaus principal who lived in Colorado for 28 years. The core of this collection and archive came through the creative person's bequest, and scholars visit from around the world to engage the collection for enquiry.[45] While the Bayer art works are part of the Denver Art Museum's Modernistic and Gimmicky Art drove, and works non on public view are available for scholarly study past appointment. The archive of non-art materials was transferred to the Denver Public Library in September 2018.[46]

Linda

A visitor favorite, Linda, by Denver artist John DeAndrea, is a life-size realistic sculpture of a sleeping adult female.[47] Made of polyvinyl, the piece is sunlight-sensitive and is shown but for short periods of time.[48] Information technology is so lifelike people often think it is breathing.[49]

The Shootout

In 1983 the museum became the home of the controversial popular-fine art sculpture The Shootout past Red Grooms. It represents a cowboy and an Indian shooting at 1 another. The sculpture, now on the roof of the museum eating house, had been evicted from 2 other downtown Denver locations later on Native American activists protested and threatened to deface the piece of work.[l] [51]

AS TO BE IN Plain SIGHT

One of the most photogenic pieces in the museum, the piece is an aluminum cutout of the words "Equally TO BE IN PLAIN SIGHT" made by gimmicky artist Lawrence Weiner. The piece is hung on a wall in the museum'southward third floor, and the view of it is obscured from about points of the museum, ironically hiding it in plain sight. The piece was originally on display outside the museum, only was moved to its current location in 2009.[52]

Photography [edit]

The DAM established a dedicated curatorial department to photography in 2008. The department's collection includes numerous 19th-century works, notably of the American West, as well as holdings of European and American modernist photography. Works by early Western photographers William Bell and Timothy O'Sullivan, 19th-century artists William Henry Fox Talbot and Henry Bosse and modernist photographers such as Gyorgi Kepes and Man Ray are included in the drove.[53]

Western American Art [edit]

The institute is organized to support the study, collection, preservation and exhibition of art created well-nigh the American Westward, its people, its history and its landscape. In the Enemy's Land by Charles One thousand. Russell, The Cheyenne by Frederic Remington and Long Jakes, "The Rocky Mountain Man" past Charles Deas are the anchors for the museum'southward drove. Other highlights include Thomas Moran's Mount of the Holy Cross, Albert Bierstadt's Wind River Country and E. Martin Hennings' Rabbit Hunt.[54]

The Harmsen Collection

In 2001, the Western American Art collection was augmented by a gift of more 700 art objects from the Bill and Dorothy Harmsen Family; this was the impetus for establishing the institute of western American art at the DAM.[55] The institute received its new title—the Petrie Establish of Western American Art—in 2007, following a souvenir from the Thomas A. Petrie family to partially endow the department.[54]

The Roath Collection [edit]

In 2013, the museum received a gift of American fine art from Henry Roath that doubled the importance of its existing western collection. The Roath Collection comprises more than 50 works, ranging in engagement from 1877 to 1972, past artists such as Albert Bierstadt, Thomas Moran, Frederic Remington and Ernest Fifty. Blumenschein.[54]

Learning & Engagement [edit]

The museum'due south Learning & Engagement department has emphasized three areas: one) Research in making museum visits successful and enjoyable; 2) Creation of innovative installed learning materials (e.g., audio tours, labeling, video and reading areas, response journals and hands-on and artmaking areas); and iii) Interactive learning for young people both in schoolhouse and family groups. Family-friendly programs and activities include the Just for Fun Family unit Middle, gallery games, the Discovery Library, Kids Corner and Family Backpacks.[56] Access programs at the DAM include Fine art & About tours, for visitors with early-stage Alzheimer'southward or dementia; Low Sensory Mornings; and Tactile Tables.[57] [58]

A key priority of the Denver Art Museum's ongoing campus transformation project is to middle the DAM's renowned educational programs at the center of the campus, in order to expand the museum'due south ability to engage visitors of all ages in creative learning opportunities. The new Bartlit Learning and Engagement Centre features more than 12,000 square-feet of flexible programming infinite, workshop rooms and the Vocalizer Pollack Family Wonderscape, which volition present student-created exhibitions and host school and community events.[59] With interactive spaces designed by United mexican states Urban center-based Esrawe + Cadena, the interactive Bartlit Center too features the Morgridge Artistic Hub. Spanning more than 5,600 square-anxiety, the Hub is a place for gathering and connectedness, a platform for diverse and evolving community-driven programming and a celebration of local creativity, with members of the creative community developing many of the hands-on fine art experiences.[59]

Funding [edit]

The museum is run by a non-profit organization divide from the City of Denver. Major funding for the museum is provided past a 0.1% sales tax levied in the Scientific and Cultural Facilities District (SCFD), which includes seven Colorado counties (Adams, Arapahoe, Bedrock, Broomfield, Denver, Douglas and Jefferson) in the Denver-Aurora metropolitan surface area. The district provides funding to about 300 arts, cultural and scientific organizations in the vii counties. About 65% of this tax is used to provide funding for the Denver Art Museum and 4 other major science and cultural facilities in Denver: the Denver Botanic Gardens, the Denver Zoo, the Denver Museum of Nature and Scientific discipline and the Denver Centre for the Performing Arts. In addition, the museum receives large individual donations and loans from individual collections. Over the past five years, the Denver Art Museum has averaged more than than 600,000 visitors a yr.[60] [61]

References [edit]

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  3. ^ "Nearly | Denver Art Museum".
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  9. ^ "Denver Art Museum plans to use largest-e'er $25 one thousand thousand gift to renovate iconic Gio Ponti building by 2021". The Denver Post. December 9, 2016. Retrieved January 27, 2021.
  10. ^ "Martin Building Projection | Denver Fine art Museum". www.denverartmuseum.org . Retrieved January 27, 2021.
  11. ^ "Gallery Map | Denver Fine art Museum". denverartmuseum.org. Archived from the original on April 2, 2012.
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  14. ^ Structure Magazine (November 2007). "Spotlight: Denver Art Museum" (PDF).
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  16. ^ Studio Libeskind. "Extension to the Denver Art Museum, Frederic C. Hamilton Building".
  17. ^ denverartmuseum.org. "Outdoor Art Around the Denver Art Museum" (PDF). Archived from the original (PDF) on March 31, 2016.
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  22. ^ "Elevate Denver Bond Plan Reaches Milestone as Denver Art Museum N Building Projection Tops Out".
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  27. ^ "James Beard Accolade-Winning Jennifer Jasinski Will Bring a New Eatery to the Denver Art Museum". August 22, 2019.
  28. ^ "Martin Edifice Project | Denver Art Museum".
  29. ^ "Martin Building Project | Denver Art Museum".
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  31. ^ "OMA reveals new gallery spaces and studio for Denver Art Museum". January 22, 2020.
  32. ^ "Denver Art Museum Partners with OMA New York to Realize New Design Galleries every bit Role of Major Renovation". January 21, 2020.
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  35. ^ "Compages and Design | Denver Art Museum".
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  46. ^ cpr.org/2018/11/05/that-yellow-noodle-sculpture-on-i-25-its-got-a-back-story-worth-knowing/
  47. ^ "'Linda' Sculpture At Denver Fine art Museum Is Then Life-Like People Think She's Animate," CBS4, April 19, 2015.
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  49. ^ "'Linda' Sculpture At Denver Art Museum Is So Life-Similar People Think She'south Breathing". cbslocal.com. April nineteen, 2015. Retrieved April 9, 2018.
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  51. ^ Iver Peterson, "Popular Sculpture in Denver," The New York Times, Oct 6, 1983.
  52. ^ "AS TO Exist IN PLAIN SIGHT". Denver Art Museum . Retrieved November 4, 2019.
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  54. ^ a b c "Western American Art". denverartmuseum.org . Retrieved April ix, 2018.
  55. ^ "Denver Art Museum's Petrie Plant of Western American Art reaches endowment goal | Denver Fine art Museum". denverartmuseum.org . Retrieved June 29, 2016.
  56. ^ "Kids & Families | Denver Art Museum". denverartmuseum.org . Retrieved June 29, 2016.
  57. ^ "Access Programs | Denver Fine art Museum". denverartmuseum.org . Retrieved June 29, 2016.
  58. ^ "Museum Teaching Internships | Denver Fine art Museum". denverartmuseum.org . Retrieved June 29, 2016.
  59. ^ a b "Denver Art Museum to Bring Education to the Heart of New Campus". January 28, 2020.
  60. ^ "Scientific and Cultural Facilities District". scfd.org . Retrieved June 29, 2016.
  61. ^ "SCFD Support | Denver Art Museum". denverartmuseum.org . Retrieved June 29, 2016.

External links [edit]

  • Official Denver Art Museum website
  • Wall Street Periodical: The Mastery Behind Denver'due south "Becoming van Gogh" exhibition.

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Source: https://en.wikipedia.org/wiki/Denver_Art_Museum

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