Box Clip Art Images Kids Coloring Black and White Clip Art Images

For this tutorial, I'thousand going to demonstrate how to utilise Clip Studio Paint'due south Anti-overflow and Surface area Scaling functions. To practise this, I will utilise the linework below of the grapheme Yooka from my full-color graphic novel Yooka-Laylee and the Kracklestone based on the video game Yooka-Laylee.

i. Coloring Flats

I'll start by cleaning upwards the canvas and getting rid of the pencil lines on the layer underneath the linework. Then, I'll make a new layer over top of the linework layer for coloring.

Next, I switch over to Marking located nether the Pen sub tool palette and select the Backup mono pen tool pick as shown in the image below. Personally, I keep this pen anti-aliased when I draw. I don't worry nearly aliasing considering I create full-colour comics, so it's non terribly important for me.

Adjacent, with my colors roughly selected for my line art of Yooka, I will become over how to take advantage of Clip Studio Pigment's anti-overflow characteristic. Kickoff, we will demand to scroll further down the tool's holding palette of the Fill-in-mono pen tool located on the left side of the screen and select the "Practice not exceed line of reference layer" option located just under "Stabilization." Checking the box next to information technology turns information technology on.  Additionally, clicking the small wrench icon in the bottom correct corner of the tool'south property palette volition open the Sub tool item window. In this window, we can find the same "Do not exceed line of reference layer" option under "Anti-overflow" which is located at the lesser of the left side of the list.

Once I have confirmed that it's turned on, I'chiliad going to select the linework layer from the layer palette. With information technology selected, I will then click the lighthouse icon on the upper office of the layer palette. This is the "Set every bit reference layer" icon. When I click this icon, the selected linework layer becomes a reference layer that the color layer will refer to as I block in the color.

Side by side, I volition use the marker tool to colour in the caput. Nosotros tin can see that the colour will at present non exceed the linework even if my cursor paints past it.

Nosotros could utilise the paint bucket tool hither as well to fill in the color, but I use the mark instead.  Sometimes line work will have gaps that are a picayune scrap bigger than the pigment saucepan tool'south Close gap characteristic can accommodate. As a result, I don't rely on it besides much because often when I piece of work with line art, I just want to color a portion of it and not a whole enclosed surface area. For case, mayhap I merely want to color half of his head light-green and so use a different color on the other side. Using the marker allows more control and flexibility to color the same surface area with multiple colors as I go, while still limiting the colour to inside the line art.

*The Close gap feature is located in the Pigment saucepan sub tool detail palette under Make full.

With Yooka's face colour consummate, let's move onto his crest color. I colour them using the aforementioned method as before. Yous can see in the images below that at that place is a piffling bit of white coming through at the corners of the line work here and at that place. In this case, nosotros tin simply switch over to the Pen tool and color those areas in.

Some other feature I would like to cover is the Area scaling characteristic, which tin be found in the sub tool settings. When using this feature, you tin can calibration up the surface area you lot are coloring so that you lot are also coloring underneath the line art.

Hither, I accept the Surface area scaling ready all the way upward to twenty. If I hibernate the line fine art layer, I tin can run across that the color is indeed going all the way up across, but inside, the boundaries of the line itself. In the image below, I have lowered the opacity of the line work. The grayed-out expanse shows the edges of the line, so you can see how far the green goes under information technology.

Next, I want to show you what happens when we don't use that characteristic. I will brand a new layer and make full in the crests again.

Practise yous notice in the epitome above, there is a white ghosting edge around the line piece of work? This is a really big problem for press. Sometimes the plates get a little offset, and so using Expanse scaling takes care of that potential printing issue.

After adding the flat colors, I move on to shading. A technique I discover especially helpful is to adjust the maximum size of the castor itself while y'all paint. For example, when shading effectually the optics, I'll compress the size downwards of the brush to fit in the hard to reach areas.

Note: The default brush size adjustment shortcuts are the left and correct brackets ("[" and "]".)

2. Bounced Light

Side by side, I'll testify how I practise bounced light. Allow's imagine that this is a sunny scene, mayhap he's standing over a pool of water that'south reflecting a bright blue light back upward to him. Creating a new layer to a higher place the shading layer ("Layer half-dozen" below) with the Blending mode set to Screen and changing the color to aquamarine, I start painting the underside of the graphic symbol.

Considering the layer is set to Screen and is placed over the shade layer prepare to Multiply, the castor colour is added to the shading. While painting, I think near light that's shining upwards. This is basically what bounced low-cal is. You lot can see this easily besides: if you were to enter a very brightly lit room or a sunny mean solar day and hold your hand over something, you'd see some light reflected from the footing on your palm. I like to exaggerate bounced light a little, to get as much equally an outcome as I tin can while also creating a very realistic environmental illumination.

iii. Ambient Occlusion

Ambient occlusion is a CG term and normally doesn't utilize to traditional art. However, it is applicable when working in 3D space, and is an extremely cool effect if washed right. The idea of ambience occlusion is that in that location'south a deeper shadow where objects are close together. Imagine the corner of a room; the corner of the room volition exist darker compared to the residue of the room, equally if light can't really get into the scissure as tightly as it could otherwise. Frequently, I'll practise this on a multiply layer, calculation in shadows that go over the line art to intersections, which add just a footling more than realism to the piece. Fifty-fifty if information technology's using cartoony shapes, information technology's skilful to increase the realism because you won't accept to limit yourself to the flat effects that you go with traditional comic shading. Simply past adding ambience occlusion, you tin can add together hints of realism to the coloring.

To a higher place: Yous tin come across additional shading, or ambient occlusion, in the right image effectually the corners of the eyes, the oral cavity, and along the eye socket.

Creating a screen layer, I'll paint the highlights with a harder castor with low density. Painting the reverse of a bounce light; that is, painting highlights where sunlight volition hit, I adjust the size of the brush to create hard, sharper lines.

With these lines we can indicate texture, as the texture of the eyeball should be dissimilar from his skin. Similarly, we tin add together harsh highlights to the pare beneath his middle to make it shinier, indicating perspiration.

Finally, I'll add color to the lines. If you await in the layer palette, you'll see an option called Lock transparent pixels. If I click on that option, whatsoever painting applied to the layer will exist express to the line itself.

Beginning, I'll select a colour that's like the main fill color. I'll than darken that colour and become over the whole layer with a large pen castor to utilise the color evenly and create a base color. Later that, I'll become into private sections and color the lines to lucifer the surrounding area. For instance, the red of the crest and blue of the optics would exist used as a base of operations to color the surrounding lines.

That'southward pretty much how it's done!

You can apply the aforementioned technique to the background as well: putting flats in, adding shadows and ambient occlusion, and calculation highlights.

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Source: https://www.clipstudio.net/how-to-draw/archives/161828

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